An Aspect as a Whole, 1978/2014. Installation view at Vangi Sculpture Garden Museum, Shizuoka, Japan, 2014. Photo: Tsuyoshi Satoh.
Gap of the Entrance to the Space, 1979/2015. Installation view at Museum of Contemporary Art, Tokyo, Japan, 2015. Photo: Tsuyoshi Satoh.
Left-Behind Situation, 1972/2016. Installation view at Scottish National Gallery of Modern Art, Edinburgh, Scotland, 2016. Photo: Sam Drake.
The Cultivation of Mother Earth, 2000. Installation view at the He Art Museum, Foshan, China, 2024. Photo by Liu Xiangli.
Edges of Gathered Realms, 1993/2016. Installation view at Scottish National Gallery of Modern Art, Edinburgh, Scotland, 2016. Photo: Sam Drake.
Principles of Movement, 1994. Installation view at the He Art Museum, Foshan, China, 2024. Photo by Liu Xiangli.
Concealed and Enclosed Surroundings, 1997. Installation view at Busan Museum of Modern Art, Korea, 2010. Photo: Tsuyoshi Satoh.
Law of Halted Space, 2016. Installation view at Dia:Chelsea, New York, NY, 2016. Photo: Bill Jacobson Studio, New York.
Matter and Location, 1980/2021. Installation view at Iwate Museum of Art, Morioka, Japan, 2021. Photo: Kenji Takahashi.
Units of Dependency, 1974/2016. Installation view at the Pirelli HangarBicocca, Milan, Italy, 2016. Photo: Agostino Osio.
Continuous Existence—HB, 1977/2016. Installation view at the Pirelli HangarBicocca, Milan, Italy, 2016. Photo: Agostino Osio.
Infinite Situation I (window), 1970/2014. Installation view at Vangi Sculpture Garden Museum, Shizuoka, Japan, 2014. Photo: Tsuyoshi Satoh.
Soft Concrete, 1970/2013. Installation view at The Rachofsky Collection, Dallas, TX, 2013.
Law of Peripheral Units, 1997/2017. Installation view at Centre Pompidou-Metz, France, 2017. Photo: Tsuyoshi Satoh.
Law of Situation, 1971/2017. Installation view at the Venice Biennale, Italy, 2017. Photo: Joshua White/JWPictures.com