An Aspect as a Whole, 1978/2014. Installation view at Vangi Sculpture Garden Museum, Shizuoka, Japan, 2014. Photo: Tsuyoshi Satoh.
Gap of the Entrance to the Space, 1979/2015. Installation view at Museum of Contemporary Art, Tokyo, Japan, 2015. Photo: Tsuyoshi Satoh.
The Cultivation of Mother Earth, 2000. Installation view at the He Art Museum, Foshan, China, 2024. Photo by Liu Xiangli.
Edges of Gathered Realms, 1993/2016. Installation view at Scottish National Gallery of Modern Art, Edinburgh, Scotland, 2016. Photo: Sam Drake.
Left-Behind Situation, 1972/2016. Installation view at Scottish National Gallery of Modern Art, Edinburgh, Scotland, 2016. Photo: Sam Drake.
Concealed and Enclosed Surroundings, 1997. Installation view at Busan Museum of Modern Art, Korea, 2010. Photo: Tsuyoshi Satoh.
Parameters of Space, 1978/2025. Installation view at Museum Cobra, Amstelveen, 2025. Photo: LNDWstudio.
Continuous Existence—HB, 1977/2016. Installation view at the Pirelli HangarBicocca, Milan, Italy, 2016. Photo: Agostino Osio.
Fieldology, 1974/2025. Installation view at Dia Beacon, New York, 2025. Photo: Don Stahl.
Infinite Situation I (window), 1970/2014. Installation view at Vangi Sculpture Garden Museum, Shizuoka, Japan, 2014. Photo: Tsuyoshi Satoh.
Principles of Movement, 1994. Installation view at the He Art Museum, Foshan, China, 2024. Photo by Liu Xiangli.
Units of Dependency, 1974/2016. Installation view at the Pirelli HangarBicocca, Milan, Italy, 2016. Photo: Agostino Osio.
Law of Halted Space, 2016. Installation view at Dia:Chelsea, New York, NY, 2016. Photo: Bill Jacobson Studio, New York.
Soft Concrete, 1970/2025. Installation view at Dia Beacon, New York, 2025. Photo: Don Stahl.
Law of Peripheral Units, 1997/2017. Installation view at Centre Pompidou-Metz, France, 2017. Photo: Tsuyoshi Satoh.
Law of Situation, 1971/2017. Installation view at the Venice Biennale, Italy, 2017. Photo: Joshua White/JWPictures.com