Left-Behind Situation , 1972 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope 1400 x 780 x 300 cm Installation view at Kinokuniya Gallery, Tokyo, 1972 Photo: Kishio Suga

Left-Behind Situation, 1972
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
1400 x 780 x 300 cm
Installation view at Kinokuniya Gallery, Tokyo, 1972
Photo: Kishio Suga

 
 
  Left-Behind Situation , 1972/1995 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view,  Matter and Perception 1970: Mono-ha and the Search for Fundamentals , Hiroshima City Museum of Contemporary Art, 1995 Photo: Tsuyoshi Satoh

Left-Behind Situation, 1972/1995
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Matter and Perception 1970: Mono-ha and the Search for Fundamentals, Hiroshima City Museum of Contemporary Art, 1995
Photo: Tsuyoshi Satoh

 
 
  Left-Behind Situation , 1972/1996 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view,  Matter and Perception 1970: Mono-ha and the Search for Fundamentals , Musée d’art moderne Saint-Étienne, 1996 Photo: Tsuyoshi Satoh

Left-Behind Situation, 1972/1996
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Matter and Perception 1970: Mono-ha and the Search for Fundamentals, Musée d’art moderne Saint-Étienne, 1996
Photo: Tsuyoshi Satoh

 
 
  Left-Behind Situation , 1972/1997 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view,  Kishio Suga , Hiroshima City Museum of Contemporary Art, 1997 Photo: Tsuyoshi Satoh

Left-Behind Situation, 1972/1997
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Kishio Suga, Hiroshima City Museum of Contemporary Art, 1997
Photo: Tsuyoshi Satoh

 
 
  Left-Behind Situation , 1972/2001 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view,  Mono-ha: School of Things , Kettle's Yard, Cambridge, UK, 2001 Photo: Tsuyoshi Satoh

Left-Behind Situation, 1972/2001
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Mono-ha: School of Things, Kettle's Yard, Cambridge, UK, 2001
Photo: Tsuyoshi Satoh

 
 
  Left-Behind Situation , 1972/2012 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view, Blum & Poe, Los Angeles, 2012 Courtesy Blum & Poe, Los Angeles / New York / Tokyo

Left-Behind Situation, 1972/2012
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Blum & Poe, Los Angeles, 2012
Courtesy Blum & Poe, Los Angeles / New York / Tokyo

 
 
  Left-Behind Situation , 1972/2013 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view,  Connecting_Unfolding , National Museum of Modern and Contemporary Art, Seoul, 2013 Photo: Tsuyoshi Satoh

Left-Behind Situation, 1972/2013
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Connecting_Unfolding, National Museum of Modern and Contemporary Art, Seoul, 2013
Photo: Tsuyoshi Satoh

 
 
  Left-Behind Situation , 1972/2015 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope Dimensions variable Installation view,  Kishio Suga: Situated Latency , Museum of Contemporary Art, Tokyo, 2013 Photo: Tsuyoshi Satoh

Left-Behind Situation, 1972/2015
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Kishio Suga: Situated Latency, Museum of Contemporary Art, Tokyo, 2013
Photo: Tsuyoshi Satoh

 
 
  Left-Behind Situation , 1972/2016 捨置状況 ( Shachi Jōkyō ) Wood, stone, brick, zinc, bark, wire rope  Dimensions variable Installation view,  Karla Black and Kishio Suga; A New Order , Scottish National Gallery of Modern Art, Edinburgh, 2016  Photo: Sam Drake; Courtesy National Galleries of Scotland

Left-Behind Situation, 1972/2016
捨置状況 (Shachi Jōkyō)
Wood, stone, brick, zinc, bark, wire rope
Dimensions variable
Installation view, Karla Black and Kishio Suga; A New Order, Scottish National Gallery of Modern Art, Edinburgh, 2016
Photo: Sam Drake; Courtesy National Galleries of Scotland

 
 
  Left-Behind Situation , 1972/2016 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope 500 x 2400 x 2200 cm Installation view,  Kishio Suga: Situations , Pirelli HangarBicocca, Milan, 2016 Photo: Agostino Osio; Courtesy Pirelli HangarBicocca, Milan

Left-Behind Situation, 1972/2016
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
500 x 2400 x 2200 cm
Installation view, Kishio Suga: Situations, Pirelli HangarBicocca, Milan, 2016
Photo: Agostino Osio; Courtesy Pirelli HangarBicocca, Milan

 
  Left-Behind Situation , 1972/2016 捨置状況 ( Shachi Jōkyō ) Wood, stone, wire rope 500 x 2400 x 2200 cm Installation view,  Kishio Suga: Situations , Pirelli HangarBicocca, Milan, 2016 Photo: Agostino Osio; Courtesy Pirelli HangarBicocca, Milan

Left-Behind Situation, 1972/2016
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
500 x 2400 x 2200 cm
Installation view, Kishio Suga: Situations, Pirelli HangarBicocca, Milan, 2016
Photo: Agostino Osio; Courtesy Pirelli HangarBicocca, Milan


EXHIBITION HISTORY

Kinokuniya Gallery, Tokyo, 1972

Matter and Perception 1970: Mono-ha and the Search for Fundamentals, traveling exhibition: Museum of Fine Arts, Gifu; Hiroshima City Museum of Contemporary Art; Kitakyushu Municipal Museum of Art; Museum of Modern Art, Saitama, 1995; Musée d’art moderne Saint-Étienne, 1996 [The work was shown only in Gifu, Hiroshima, and Saint-Étienne]

Kishio Suga, traveling exhibition: Hiroshima City Museum of Contemporary Art, 1997; Itami City Museum of Art; Kanagawa Prefectural Gallery, Yokohama; Chiba City Museum of Art, 1998 [The work was shown only in Hiroshima]

Mono-ha: School of Things, traveling exhibition: Kettle’s Yard, Cambridge, England; Newlyn Art Gallery, England, 2001 [The work was shown only in Cambridge]

Kishio Suga, Blum & Poe, Los Angeles, 2012

Connecting_Unfolding, National Museum of Modern and Contemporary Art, Seoul, 2013

Kishio Suga: Situated Latency, Museum of Contemporary Art, Tokyo, 2015

Kishio Suga: Situations, Pirelli HangarBicocca, Milan, 2016

Karla Black and Kishio Suga: A New Order, Scottish National Gallery of Modern Art, Edinburgh, 2016